Notre-Dame de Paris: New Restoration Phase Commences Post-Reopening
Paris, July 3 – Less than a year after its highly anticipated reopening, Notre-Dame de Paris is embarking on a new phase of restoration work, as announced by the public establishment responsible for its reconstruction on Friday. The new projects will primarily focus on the great rose window and the cathedral’s north facade, with a projected completion date of 2033.
Philippe Jost, president of the public establishment “Rebâtir Notre-Dame de Paris,” stated, “Our objective is now to complete the restoration of the cathedral.” He also highlighted that the cathedral is scheduled to host Pope Leo XIV during his visit to France from September 25 to 28.
“Given its condition before the fire, it requires a series of complementary works that will give it a splendor worthy of its worldwide renown and ensure its longevity,” Jost added in a press release.
Extensive Works Planned Until 2033
A total of twelve operations have been scheduled until 2033 to supplement the extensive works that led to the cathedral’s reopening in 2024. These initial restoration efforts were financed by 845 million euros collected through a national subscription.
The first of these new operations, planned from 2027 to 2029, aims to restore the great rose window, largely medieval, located in the center of the facade overlooking the parvis. This iconic feature has not been restored since the 19th century.
“Its restoration will address old pathologies and repair damage caused by a hailstorm in May 2025,” the public establishment stated. The other significant operation is dedicated to restoring the north facade of the transept and its medieval statues, which are described as “very encrusted.”
Funding and Contemporary Art Integration
The estimated cost for these future works is 150 million euros, with 130 million euros “yet to be raised,” according to the press release. Philippe Jost has launched a new appeal for donations via the website www.rebatirnotredamedeparis.fr, stating, “We still need the generosity of patrons and donors.”
Separately, a project financed by the State is underway to replace six stained-glass windows in the south aisle of the nave with contemporary designs created by artist Claire Tabouret and produced by the Simon-Marq master glassmakers’ workshop. In May, a court rejected a request from two heritage defense associations to suspend this installation.
The ongoing commitment to Notre-Dame’s restoration underscores France’s dedication to preserving its cultural heritage, ensuring that the cathedral remains a symbol of history and faith for generations to come, while also embracing contemporary artistic contributions.
